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LALON | Part 2<br/>(a feature film on Fakir Lalon Shah)<br/><br/>length: 120 minutes<br/>format: 35mm.<br/>photography: Anwar Hossain<br/>editing: Mahadeb Shi<br/>art direction: Uttam Guha<br/> sound: Abdus Satter<br/>music: Syed Shabab Ali Arzoo<br/>presented by : Anjan Chowdhury Pintu<br/>cast: Raisul Islam Asad, Shomi Kaiser, Azad Abul Kalam, Tamanna Yasmin Tithi, Chittralekha Guha, Vaswar Banerjee, Ramendu Majumder, Khurshiduzzaman Utpal, Wahida Mallik Joly, Fakir Anwar Hossain Montu Shah, Kartik Das Baul, Pagla Bablu, Naresh Bhuiyan, Saidur Rahman Bayati, Fakir Balai Shah, Krishna Ghosh, Orko, Ornisha Guha Nairit and others<br/>production year: 2004<br/>script & direction : Tanvir Mokammel<br/><br/>Synopsis of the film<br/><br/>Lalon Fakir (? – 1890), a doyen among the Baul-Fakirs of Bengal, composed few hundred songs of profound depth and an excellent sense of music. Buddhist Tantricism, Hindu Vaisnavism and Islamic Sufism all have their shares of influence on Lalon. Throughout the decades Lalon’s songs, depicting asceticism and transience of life, have expressed the pathos and pangs of the caste-ridden subaltern rural populace of Bengal. Lalon's secular ideas and enchanting lyrics left deep influence on the subsequent generations of the different trends of Baul-Fakirs of Bangladesh and India. Though Lalon died only a hundred years ago yet not much details of his life is clearly known and some aspects are still shrouded in mystery. By portraying the milieu of Lalon who was a kind of a Guru during his life-time, the film aims to catch the social ethos of his period. Some historical personalities, who were prominent in the cultural history of Bengal of that time and came in touch with Lalon, like Jyotirindranath Tagore, Kangal Harinath and Mir Mosharraf Hossain, also figure in the film. The film tries to portray Lalon's life, persona and ideas mainly through the lyrics of his songs.<br/><br/>* Shown in the Fukuoka (Japan), London film festivals and in the competitive section of Goa (India) and Dhaka international film festivals.
⏲ 42:44 👁 10K
Bongo 360
⏲ 1:49 👁 535.3K
Bongo Bangla
⏲ 2:29 👁 2.5M
LALON | Part 3<br/>(a feature film on Fakir Lalon Shah)<br/><br/>length: 120 minutes<br/>format: 35mm.<br/>photography: Anwar Hossain<br/>editing: Mahadeb Shi<br/>art direction: Uttam Guha<br/> sound: Abdus Satter<br/>music: Syed Shabab Ali Arzoo<br/>presented by : Anjan Chowdhury Pintu<br/>cast: Raisul Islam Asad, Shomi Kaiser, Azad Abul Kalam, Tamanna Yasmin Tithi, Chittralekha Guha, Vaswar Banerjee, Ramendu Majumder, Khurshiduzzaman Utpal, Wahida Mallik Joly, Fakir Anwar Hossain Montu Shah, Kartik Das Baul, Pagla Bablu, Naresh Bhuiyan, Saidur Rahman Bayati, Fakir Balai Shah, Krishna Ghosh, Orko, Ornisha Guha Nairit and others<br/>production year: 2004<br/>script & direction : Tanvir Mokammel<br/><br/>Synopsis of the film<br/><br/>Lalon Fakir (? – 1890), a doyen among the Baul-Fakirs of Bengal, composed few hundred songs of profound depth and an excellent sense of music. Buddhist Tantricism, Hindu Vaisnavism and Islamic Sufism all have their shares of influence on Lalon. Throughout the decades Lalon’s songs, depicting asceticism and transience of life, have expressed the pathos and pangs of the caste-ridden subaltern rural populace of Bengal. Lalon's secular ideas and enchanting lyrics left deep influence on the subsequent generations of the different trends of Baul-Fakirs of Bangladesh and India. Though Lalon died only a hundred years ago yet not much details of his life is clearly known and some aspects are still shrouded in mystery. By portraying the milieu of Lalon who was a kind of a Guru during his life-time, the film aims to catch the social ethos of his period. Some historical personalities, who were prominent in the cultural history of Bengal of that time and came in touch with Lalon, like Jyotirindranath Tagore, Kangal Harinath and Mir Mosharraf Hossain, also figure in the film. The film tries to portray Lalon's life, persona and ideas mainly through the lyrics of his songs.<br/><br/>* Shown in the Fukuoka (Japan), London film festivals and in the competitive section of Goa (India) and Dhaka international film festivals.
⏲ 35:43 👁 10K
SHAKIB APU JOY
⏲ 1:37 👁 8M
Bangla Web
⏲ 2:5 👁 136.1K
The Sister (Rabeya) Part 02<br/>(Underproduction / a feature film / a deconstruction of Sophocles’s play “Antigone”)<br/><br/>length: 120 minutes (approximately)<br/>format: 35 mm.<br/>photography: Anwar Hossain<br/>editing: Mahadeb Shi<br/>art direction : Uttam Guha<br/>dress : Chitralekha Guha<br/>music: Syed Shabab Ali Arzoo<br/>year of production: 2008<br/>script & direction : Tanvir Mokammel<br/><br/>Synopsis of the film<br/><br/>The film is a deconstruction of Sophocles’s play “Antigone” placed on the backdrop of the war between Bangladesh and Pakistan in 1971.<br/><br/>The storyline is as follows;<br/><br/>During Bangladesh’s liberation war against Pakistan in 1971, in a remote village Rabeya and Rokeya, two orphan young sisters lived in the religiously conservative household of their uncle Emdad Kazi, a rich kulak and a local Muslim League leader. During the war, for his political ambition, Emdad Kazi collaborated with the marauding Pakistan army. Khaled, the only brother of the two sisters, joined the Bengalee resistance guerillas to fight against the Pakistan army. During a guerilla operation Khaled was killed in a skirmish. The Pakistani captain ordered that the dead body of this young guerilla should not be buried. It had to be kept on the embankment beside the river as a display to scare off the villagers so that nobody dared to oppose the army anymore. Nobody dared to bury Khaled’s dead body. One night Rabeya, the sister, secretly proceeded to bury her brother. Rabeya was shot and killed. The villagers rose up. The Bengalee guerillas won the final battle and declared Rabeya as a martyr.
⏲ 47:35 👁 10K
SB Entertainment
⏲ 2:32:30 👁 600.8K
বাংলা TRENDZ
⏲ 2:55 👁 1K
The Sister (Rabeya) Part 01<br/>(Underproduction / a feature film / a deconstruction of Sophocles’s play “Antigone”)<br/><br/>length: 120 minutes (approximately)<br/>format: 35 mm.<br/>photography: Anwar Hossain<br/>editing: Mahadeb Shi<br/>art direction : Uttam Guha<br/>dress : Chitralekha Guha<br/>music: Syed Shabab Ali Arzoo<br/>year of production: 2008<br/>script & direction : Tanvir Mokammel<br/><br/>Synopsis of the film<br/><br/>The film is a deconstruction of Sophocles’s play “Antigone” placed on the backdrop of the war between Bangladesh and Pakistan in 1971.<br/><br/>The storyline is as follows;<br/><br/>During Bangladesh’s liberation war against Pakistan in 1971, in a remote village Rabeya and Rokeya, two orphan young sisters lived in the religiously conservative household of their uncle Emdad Kazi, a rich kulak and a local Muslim League leader. During the war, for his political ambition, Emdad Kazi collaborated with the marauding Pakistan army. Khaled, the only brother of the two sisters, joined the Bengalee resistance guerillas to fight against the Pakistan army. During a guerilla operation Khaled was killed in a skirmish. The Pakistani captain ordered that the dead body of this young guerilla should not be buried. It had to be kept on the embankment beside the river as a display to scare off the villagers so that nobody dared to oppose the army anymore. Nobody dared to bury Khaled’s dead body. One night Rabeya, the sister, secretly proceeded to bury her brother. Rabeya was shot and killed. The villagers rose up. The Bengalee guerillas won the final battle and declared Rabeya as a martyr.
⏲ 56:15 👁 5K
feni forhad 420
⏲ 1:59:33 👁 31K
Viral Video 4K : News
⏲ 2:57 👁 423.1K
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